I haven’t played with Apophysis since my last post on fractals. However, I’ve been busy with home improvements lately and am not really up for processing photos. So here are some fractals from my explorations a couple of weeks ago. Understanding more about the program has definitely proven fruitful.
I call this one Tissue:
And then there’s Spider Den:
And finally, Wild Horses:
More photos next week! If I manage to recover from all the chaos in my house.
Years ago, my friend Alicia introduced me to fractal art, and I was immediately fascinated. When you look at her images, you’ll see why–they’re beautiful. We each explored a couple of programs for creating these: Tierazon (which now costs $35 to download, and I have no idea if it works with newer operating systems), and Apophysis (which remains free). I haven’t done any fractal art in years, though. It’s something that captures my fancy for a while, and then I move on to other things. (Yes, I know–like all of my other creative endeavors!)
Anyway, Alicia recently did some fractals, and seeing those got me itching to play again. So I downloaded Apophysis. Tierazon is a lot easier to work with if you don’t have a clue what you’re doing–which I never have. I just liked playing with the pretty colors and shapes. But the last time I did fractals, I kind of felt I’d explored what I could explore with that software. Even though I’ve never grasped Apophysis well, it seemed to offer a lot more control. If only I could understand what I was doing!
With the explosion of YouTube, though, there are now better tutorials out there. The second one I found was exactly what I needed:
Here’s my first fractal that I intentionally created from the ground up:
The next two are via my old method of letting the program generate fractals radomly, then going in and hacking around:
You can get beautiful results either way, but the random method generates a lot of stuff you don’t want to keep. Plus, where there were good starting points, it was frustrating to not know how to nudge them in fruitful directions. Armed with fresh knowledge, though, I can see myself doing more exploring this fall and winter. Plus, there might be interesting ways to combine my photography with fractals using Photoshop. Opportunities abound!
I went shooting in Downtown Minneapolis today, even though the sky was crap. Evenly overcast, so the sky was a bright grey that messes with your exposures, without offering anything of interest to the overall scene. I hate shooting on days like this–I end up with very few keepers, even though I now know how to play with the exposure compensation.
This was the time I had to go downtown to shoot, though, and I’ve never been completely skunked. No matter how bad I think the conditions are, or how disappointed I am with the overall shoot, it seems like there is always one intriguing image in the bunch that’s worth playing with. So it was today–a couple of shots I really liked, and a whole bunch more I should really delete. Before deleting, though, I decided to play with Photoshop Elements Photomerge to see if I could salvage those icky skies.
Well, no, not really. They were that bad. So rather than aiming for realism, I decided to see what I could do if I was willing to enter the land of the fantastic. On my way there, I took a left turn, and combined the wrong images. Here is the result:
I hope I remember how I did this. This effect is worth playing with some more.